Alias 3x01 Authorized Personnel Only

"At Last"
by Etta James

 

¢Ý At last ¢Ý

 

¢Ý My love has come along ¢Ý

 

¢Ý My lonely days are over ¢Ý

 

¢Ý And life is like a song ¢Ý

 

À̰б¦Âú¾Æ¿ä?
¹æ±Ý »ê °Çµ¥

´ç½Å¿¡°Ô¿ä? ³×
¾ÆÁÖ Àß ¾î¿ï·Á¿ä

 

³»°¡ º¸±â¿¡µµ ÁÁ±º¿ä

 

°©Àڱ⠶پîµé¾î¼­ ¹Ì¾ÈÇØ¿ä

 

±¦Âú½À´Ï´Ù

¿©Çà ¸¹ÀÌ Çϼ¼¿ä?

³×, ÀÏ ¶§¹®¿¡¿ä

Àü ±âÂ÷°¡ ÁÁ¾Æ¿ä

±×·¡¿ä

 

¾î¶² ÀÏ Çϼ¼¿ä?

 

È­ÇÐ »ç¾÷À» Çϰí ÀÖÁÒ

±×·² ÁÙ ¾Ë¾Ò¾î¿ä!

- Á¤¸»¿ä?
- ¿¹

¿©±â µé¾î¿Ã ¶§
´ç½Å ¼ÕÀ» º¸°í

¼Õº¸´Ù´Â ¸Ó¸®¸¦ ´õ ¾²´Â
»ç¶÷À̱¸³ª ½Í¾úÁÒ

 

³­ ¼Õµµ ¾´´ä´Ï´Ù

±×·¯±æ ¹Ù·¡¿ä

 

°¡¹æ ¾È¿¡ ¹¹°¡ µé¾úÁÒ?
È­ÇÐ ¾àǰÀΰ¡¿ä?

- ³×, È­ÇÐ ¾ÇǰÀÌÁÒ
- ¼³¸¶¿ä

¸Â¾Æ¿ä, À§ÇèÇÑ ¹°°ÇÀÌ¿¡¿ä

- ±× ¾È¿¡ À§ÇèÇÑ °Ô ÀÖ´Ù°í¿ä?
- °¡¹æ ¾È¿¡¿ä

- ¾È ¹Ï¾î¿ä
- »ç½ÇÀÌ¿¡¿ä

º¸¿©Áà¿ä. º¸°í ½Í¾î¿ä
´ç½ÅÀÌ ÇÏ´Â ÀÏÀ» º¸°í ½Í¾î¿ä

¹¹°¡ ±×¸® À§ÇèÇÏÁÒ?

 

ÀÌ ¾È¿¡ µç °ÍÀº ÁÁÀº ÂÊÀ¸·Îµµ,
³ª»Û ÂÊÀ¸·Îµµ ¾²ÀÏ ¼ö ÀÖ´Â °Ì´Ï´Ù

 

³ªµµ ¸¶Âù°¡Áö¿¹¿ä

 

¿­¾îºÁ¿ä

ÀüºÎ ´Ù º¸°í ½Í¾î¿ä

 

µ¿À§¿ø¼Ò¿¹¿ä
ºÒ¾ÈÁ¤ÇÏÁÒ

 

¿Ö¿ä?

 

72 ½Ã°£ Àü

72 ½Ã°£ Àü
»óÇÏÀÌ

 

ÀÚ¸·Á¦ÀÛ - ³×ÀÌÆ® µå¶ó¸¶ 24 ÀÚ¸·ÆÀ
(http://club.nate.com/24)

 

¿µ¾î´ëº» : RocknVaughn (http://www.sd-1.com)
±è¼±ÀÓ (sunim113@lycos.co.kr)

 

Á¦ÀÛÁö¿ø : Jake(club.nate.com/24)

 

ÀÚ¸·½ÌÅ© / Çѱ۹ø¿ª :
ÀåÁ¤¿ø (cheesecake@empal.com)

 

ÃÖÁ¾¼öÁ¤ : ±è¼±ÀÓ(sunim113@lycos.co.kr)

 

"Cold Hard Bitch"
by Jet

 

¢Ý Yeah ¢Ý

 

¢Ý Gotta leave town ¢Ý

¢Ý Got another appointment ¢Ý

 

- ¿©±â¿ä, ¿©±â¼­ ²ª¾î¿ä!
- ¹¹¿ä, ´ÙÀ½ °Å¸®¿¡¼­?

³×!

 

¢Ý Ain't gonna hang around
till there's nobody dancing ¢Ý

¢Ý I don't wanna hold hands and talk
about our little plans, alright! ¢Ý

 

°ñ¸ñÀ¸·Î!

 

¢Ý Cold hard bitch
Just a kiss on the lips ¢Ý

 

Àá°å¾î¿ä!
Àá°Ü ÀÖ¾î¿ä!

 

¢Ý Cold hard bitch ¢Ý

¢Ý She was shakin' her hips
That's all that I need ¢Ý

 

ÁÁ¾Æ¿ä, Àû¾îµµ ³­
´ë´äÀ» µé¾î¾ß°Ú¼Ò

 

- ¿ì¸® »óȲÀÌ À§ÇèÇß¾î¿ä
- ±×°Ç ³ªµµ ¾Ë¾Æ¿ä

¿ì¸° 10½Ã 15ºÐ¿¡ ¸¸³ª¼­
10½Ã 25ºÐ¿¡ Å»ÃâÇß¾î¾ß.. / Á¦°¡ ´Ê¾úÁÒ

±× ÀÌÀ¯¸¦ ¾Ë°í ½Í±º¿ä!

¹®À» °¨½ÃÇØ ÁÖ¼¼¿ä

 

ÀýÂ÷¶ó´Â °Ç ÀÌÀ¯°¡ ÀÖ´Â °Ì´Ï´Ù
¾Ë±â³ª ÇØ¿ä? ¾îµð °¬¾ú´ø °Å¿¹¿ä?

µ¹¾Æ°¥ ¶§ ºê¸®ÇÎ ÇØ
µå¸®¸é ¾È µÉ±î¿ä?

- ½ºÆ®·³ ¿ä¿ø°ú Á¢ÃËÀº ÇØ ºÃ½À´Ï±î?
- ¾ê±âÇßÀݾƿä, ±× »ç¶÷ À§ÇèÇÏ´Ù°í!

À̺Á¿ä, ±×´Â À§Àå ¿ä¿øÀÔ´Ï´Ù
ºê¸®½ºÅä ¿ä¿ø, ±×°Ô Á÷¹«¶ó°í¿ä!

¾ÈÀüÀåÄ¡ ÀÛµ¿ÁßÀÌ¿¡¿ä

¿©±â´Â µî»ê°´
Àå»ç²Û ÀÀ´äÇ϶ó

 

È­Àå½Ç Á» ¾²ÀÚ°í¿ä!

 

´Ù¸¥ µ¥ °¡ºÁ¿ä
¹Ùºü¿ä

 

µî»ê°´, ¿©±â´Â Àå»ç²Û

Àå»ç²Û, ´ç½ÅÀÇ À§ÀåÀÌ Åº·Î³µ¾î¿ä
20ºÐ ÈÄ ¹ÖÇÏÀÌ ±âÂ÷ Á¶Â÷Àå¿¡¼­ ¸¸³ª¿ä!

Àá±ñ¸¸¿ä..
¿À, Àá±ñ¸¸ ±â´Ù·Á¿ä..

¾î¶»°Ô..
¾î¶»°Ô ³¯ ã¾ÒÁÒ?

- Àå»ç²Û, µé¸³´Ï±î?
- ³»°¡ ÀÖ´Â °÷À» ¾Ë°í ÀÖ¾î¿ä!

±×µéÀÌ ³¯ ã¾Æ³Â¾î¿ä!
³¯ ã¾Æ³Â¾î¿ä!

¹«½¼ ÀÏÀԴϱî?

 

¾È³ç, ½Ãµå´Ï ºê¸®½ºÅä

´ç½ÅÀÌ ¹» ÀÔ¾ú´ÂÁö µé¾ú¾î
¸¾¿¡ µé´øµ¥

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¿øÇÏ´Â °Ô ¹¹¾ß?

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³×°¡ ÀÖ´Â °Ç¹°À» ¾Ë¾Æ...

¹«¼± ½ÅÈ£¸¦ ÃßÀûÇß´Ù°í¿ä?

 

- ¹¹.. ¹¹ÇÏ´Â °Ì´Ï±î?
- ³¯ ¹Ï¾î¿ä

½È¾î¿ä, ´õ ÀÌ»óÀº ´ç½Å¸¸ µû¸¦ ¼ø ¾ø¾î¿ä
°èȹÀÌ ¹¹ÁÒ?

ÇϳªÇϳª ¼³¸íÇÒ ½Ã°£ ¾ø¾î¿ä
Ç϶ó´Â ´ë·Î ¾È ÇÏ¸é ´ç½ÅÀº Á×¾î¿ä

¼ÅÃ÷ ¹þ¾î¿ä

 

- Àú â¹®Àº ºüÁ® ³ª°¡±â¿£ ³Ê¹« ÀÛÀºµ¥¿ä
- ºüÁ® ³ª°¥ °Å ¾Æ´Ï¿¡¿ä

 

- ´« °¨¾Æ¿ä
- ´ëü ¹«½¼..

 

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µû°©Àݾƿä!

- ÃѾ˺¸´Ü ³ª¾Æ¿ä
- ¿À ¼¼»ó¿¡!

ÀÔ ¹ú·Á¿ä

 

- À̹ø¿£ ¾ÆÇà °Å¿¹¿ä
- ¾ÈµÅ¿ä! ±×°Ç ÇÊ¿ä ¾ø¾î¿ä!

¼¼ºÎÀûÀÎ °Ô Áß¿äÇØ¿ä
¼Ò¸® Áö¸£Áö ¸»¾Æ¿ä

 

°ÅÀÇ ´Ù µÆ¾î¿ä!

 

±×°Ç ¶Ç ¹¼´Ï±î?

¿ì¸® µÎ »ç¶÷À» ã°í ÀÖ¾î¿ä
±×·¯´Ï ¿©±â¼­ µû·Î ³ª°¡¾ß µÅ¿ä

±×µéÀÌ ³¯ Á×ÀÏ °Ì´Ï´Ù, ±×·¸ÁÒ?

±×·²Áöµµ ¸ð¸£ÁÒ
ÀÌ Å¬·´¿¡¼­ Àß³­ ü Çϸ鼭 ³ª°¡¿ä

- ³­ Àß³­ ü ¾È ÇØ¿ä!
- ÀÚ½ÅÀ» ºÁ¿ä

 

±Í°¡ ¾ÆÆÄ¿ä

20ºÐ ÈÄ¿¡ º£µùÇÏÀÌ ¿ª¿¡¼­ ¸¸³ª¿ä
ÀÌ°Ç ÇÊ¿ä ¾ø¾î¿ä

´ç½ÅÀº ¾î¼·Á°í¿ä?
±×µéÀÌ ´ç½Å ¸ð½ÀÀ» ¾ËÀݾƿä!

»¡¸® Á» ³ª¿Í!

 

¾ó¸¶³ª ±ÞÇѵ¥ ±×·¡?

 

·Î½º ¾ØÁ©·¹½º

 

ºê¸®½ºÅä ¿ä¿ø¿¡ ´ëÇÑ ¼Ò¼Û¿¡´Â
ÃßÀûÀÚµéÀÌ È­Àå½Ç±îÁö ÂÑ¾Æ ¿Ô´Ù°í¿ä?

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Áø¾È¿¡¼­ ¸¸³¯ ¿¹Á¤À̾ú½À´Ï´Ù

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°¨½Ã »çÁøÀ» ¹Þ¾Æ¿À´Â °Å¿´¾î

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±×ÀÇ À§ÀåÀÌ Åº·Î ³µ¾ú½À´Ï´Ù

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ÀÚ³× ¸¶À½´ë·Î ÀÛÀü ¸ñÇ¥¸¦ ¹Ù²å¾î!

ÇÊ¿äÇÑ ÆÇ´ÜÀ̾ú½À´Ï´Ù

ÇöÀå¿¡¼­´Â ÀÏÀÌ ¾ðÁ¦³ª ¿¹»óÇÑ ´ë·Î
µ¹¾Æ°¡Áö ¾Ê´Â´Ù´Â °É ¾Æ½ÃÀݽÀ´Ï±î?

Àڳ׿¡°Ô¼­ °­ÀǸ¦ µéÀ» Çʿ䰡 ¾ø³×
º¸°í¼­¸¦ Àоú¾î

¾Æ¹«¸® ÀÚ³×¶óµµ
¿À´Ã ŵµ´Â ¾ÆÁÖ °Ç¹æÁö±º!

 

°­ÀǸ¦ ÇÏ·Á´Â °Ô ¾Æ´Ï¾ú½À´Ï´Ù
»ó±â½ÃÄÑ µå·ÈÀ» »ÓÀÔ´Ï´Ù

 

¿Ü¶÷µÈ ¸»¾¸ÀÌÁö¸¸, ±¹Àå´Ô²²¼±
ÇöÀå ¾÷¹«¸¦ ±×¸¸ µÎ½ÅÁö 12³âÀÌ µÆ½À´Ï´Ù

 

ÀÚ³×ÀÇ ¸ÛûÇÑ ÆÇ´ÜÀ¸·Î
ÇÑ »ç¶÷ÀÌ ¸ñ¼ûÀ» ÀÒ¾ú³×

 

±×·¡¼­, ±×¿¡°Ô ¿ÊÀ» ÀÔÈù ÈÄ

ÀýÂ÷¸¦ ¶Ç ¾î±â°í
±×¸¦ È¥ÀÚ ³»º¸³ÂÁö

 

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Á×¾úÀ» °Ì´Ï´Ù

ºê¸®½ºÅä ¿ä¿ø, ÀÚ³× °æ·ÂÀº ¾û¸ÁÀ̾ß

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°æ°í Á¤µµ·Î ±×Ä¡°ÚÁö¸¸

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- ºê¸®½ºÅä ¿ä¿ø, ³»°¡ ¸»ÇÒ Â÷·Ê³×

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Àú¸¦ Àü±Ù½ÃŰ½Ã´Â °Ì´Ï±î?

 

¿ìÆí ºÎ¼­·Î?

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- Àá±ñ, Àá±ñ¸¸¿ä

Á¤¸® Á» ÇÒ°Ô¿ä

- À̰Š¿µ±¸ÀûÀÎ Àç¹èÄ¡ÀԴϱî?
- ¸»ÇÏÀÚ¸é, ¿ø°Ý ±Ù¹«¶ö ¼ö ÀÖÁö

Àú¿¡°Ô ¾î¶² °¨Á¤ÀÌ ÀÖÀ¸½ÅÁö´Â
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¹öÁö´Ï¾Æ·Î, ¿ù¿äÀÏ ¾ÆÄ§À̾ß

 

üÀ̽º ±¹Àå´Ô,
±×°Ô ±¹Àå´ÔÀÇ °áÁ¤À̽öó¸é

 

´õ ÀÌ»ó Á¦ Á¸Àç°¡ ÀÌ ±â°üÀÇ
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°áÁ¤Çϰڴٴ ¸»Àΰ¡?

¾Ë±â ½±°Ô ¼³¸íÇØ µå¸®ÁÒ

 

±×¸¸µÎ°Ú½À´Ï´Ù

 

¿ö½ÌÅÏ D.C.

 

¾îÀÌ!

 

º», º»! »÷µå¹é ¸Á°¡Á³¾î
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¶¡ Èê·ÁÁ༭ °í¸¿³×

 

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Á¤¸»? ±×·¸´Ù°í?
Àß ¸ð¸£°Ú³×

 

¾î·°Å³ª Á» Áö³ªÃƾî

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- ¾Ë¾Ò¾î. ±×³à¶û ¾ê±âÇØ ºÁ

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ALIAS 4x01
Authorized Personnel Only

Original Air Date : January 5, 2005

 

Ưº° Ã⿬ : ¾ØÁ©¶ó ¹è¼Â (ÇìÀ̵ç üÀ̽º ±¹Àå æµ)

 

Ã⿬ : ·Î¹öÆ® ÆÐÆ®¸¯ º£³×µñÆ® (ºê·Îµò æµ)

 

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"World On Fire"
by Sarah McLachlan

 

¢Ý Hearts are worn
in these dark ages ¢Ý

 

¢Ý You're not alone
in this story's pages ¢Ý

 

¢Ý Night has fallen amongst
the living and the dying ¢Ý

 

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¿¹Àü¿¡ ÀϾ´ø °É
´À³¥ ¼ö Àֱ⠶§¹®ÀÌ¿¡¿ä

 

µé¾î°¡µµ µÅ¿ä?

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Àü¿øÀ» Å×½ºÆ®ÇÒ ¼ö ¾ø¼Ò

 

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Àý¹ÝÀ» ÁöºÒÇÒ °Å¿ä

 

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ÀϾ!

 

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Áö±Ý Àå³­ÇϳÄ?

 

"Bad"
by U2

 

¢Ý If you twist and turn away. ¢Ý

 

¢Ý If you tear yourself in two again. ¢Ý

 

¢Ý If I could, yes I would ¢Ý

 

¢Ý If I could, I would let it go. ¢Ý

 

¢Ý Surrender, dislocate. ¢Ý

 

¢Ý If I could throw this lifeless ¢Ý

 

¢Ý Lifeline to the wind. ¢Ý

 

¢Ý Leave this heart of clay, ¢Ý

 

¢Ý See you walk, walk away, ¢Ý

 

¢Ý Into the night. ¢Ý

 

¿ì¸®°¡ ¶°³ª±â Àü¿¡ ÀèÀÌ ¿Í¼­
´ç½Å¿¡°Ô ¸Þ½ÃÁö¸¦ ÀüÇß¾î¿ä

 

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µµ¿ÍÁÖÁö ¾ÊÀ» °Å¶ó°í ÀüÇ϶ó°í ÇßÁÒ

 

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ÀÖ¾ú´ø °ÅÁÒ?

 

ÀÏ±Þ ºñ¹Ð
- º¹»ç ¾ö±Ý -

 

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ÇÁ·ÎÁ§Æ® ´ë»ó : ½Ãµå´Ï ¾Ø ºê¸®½ºÅä
ÇÁ·ÎÁ§Æ® »óÅ : ½ÇÇàÁß

 

¼ö¼® ÇÁ·ÎÁ§Æ® °ü¸®ÀÚ :
Àè ºê¸®½ºÅä

 

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¾È µÇ´Â °Å¿´´Ù

 

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½ÃÀÛÇÏÁÒ

 

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±×³à´Â ¾îµð ÀÖ½À´Ï±î?

 

¿©º¸¼¼¿ä?

Àü ¸¶ÀÌŬ º»ÀÔ´Ï´Ù
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¿Ö? ¹¹ Á» °¡Á®´Ù ÁÖ·Á°í?

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±â´Ù¸®Áö

 

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¾ê±âÇßÀݾÆ, ¾Ï»ì¿¡ ´ëÇØ¼±
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°è¾à¿¡ ´ëÇØ¼­ ¸ô¶ú´Ù¸é
¿©±â ¿ÀÁöµµ ¾Ê¾ÒÀ»ÅÙµ¥

 

¹«½¼ °è¾à?

 

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¾Æ¹« °Íµµ ¸ô¶ó

 

¾îÂîµÈ °ÇÁö ³× ¸»À» ¹Ï¾î

 

À̹ø ÀÏÀº ±×·± ¿ì¿¬ Áß
ÇϳªÀÎ °Í °°±º

±×·³ ´ç½Å¿¡°Ô °ËÀ» ÆÈ°í
Áý¿¡ °¥ ¼ö ÀÖ°Ú³×

 

°ËÀ» ±×³É ¹ÞÀ» °Å¾ß
¾î¶»°Ô »ý°¢ÇØ?

 

Àú±â, ³ªµð¾Æ
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È£¸£Çì°¡ Űīµå¸¦ °®°í ÀÖ³ª?

µÆ¾î¿ä

 

µé¾î¿Ô¾î¿ä

 

ÀÌÁ¦ ±¦ÂúÀ» °Å¾ß

 

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½Ãµå´Ï!

 

½Ãµå´Ï!

 

- ½Ãµå´Ï´Â ¾îµð ÀÖ³ª?
- Àú ÂÊÀ¸·Î °¬¾î¿ä

 

³× ½Ç·ÂÀÌ ÁÁ´Ü ¾ê±æ µé¾úÁö

 

´©°¡ ³Î °í¿ëÇßÁö?

 

´©°¡ ³» ¸ñ¼ûÀ» °¡Áö°í
°è¾àÀ» ÇßÁö?

 

´©°¡ ³Î °í¿ëÇßÁö?

 

µå·¹ÇÁÄÚ

 

À̸®³ª µå·¹ÇÁÄÚ

 

ÃàÇÏÇϳ×

 

¿ì¸° µ¿À§¿ø¼Ò¸¦ ȸ¼öÇß´Ù

 

¿ì¸° À§ÇèÇÑ ÀûÀ» Á¦°ÅÇß°í

 

¿µ±¹ Á¤ºÎ´Â ½ÅŸ·Î °ËÀ»
ȸ¼öÇÏ´Â µ¥ µµ¿òÀ» ÁØ

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¶ÇÇÑ ¾Ë¸± °Ô Àִµ¥

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´çºÐ°£Àº ÀÚ³×µéÀÌ ³ªµð¾Æ¸¦
¸¹ÀÌ µµ¿ÍÁà¾ß ÇÒ °Å¾ß

ÀÚ, ÀÌ»óÀ̳×

 

Áý¿¡ °¡°Ô

 

ÀÚ½ÅÀÌ ÇÑ ÀÏ¿¡
±â»ÝÀ» ´À³¢°Ô³ª

 

¾î¶»°Ô ¾Ë¾Ò´À³Ä?

 

Ÿ¸¶ÀÚ۰¡ °è¾àÇß¾ú¾î¿ä

 

¾Æºü´Â ¸ð¸£¼Ì¾î¿ä?

 

³­ ´ÜÁö ´©±º°¡¸¦ °í¿ëÇß´Ù´Â
°Í¸¸ ¾Ë¾ÒÁö, ´©±ºÁö´Â ¸ô¶ú´Ù

 

±×¸¦ ¸·À» ¹æ¹ýÀº ±×°Í »ÓÀ̾ú¾î

 

¿Ö Á¦°¡ Á×±æ ¹Ù·¨À»±î¿ä?

 

³ªµµ ¸ð¸¥´Ù

 

¾Æºþ Àý »ì¸®±â À§ÇØ
¾ö¸¶¸¦ Á׿´±º¿ä

Àý »ì¸®±â À§ÇØ
¾ö¸¶¸¦ Á×ÀÎ °Å¿¹¿ä

 

³»ÀÏ ºÉ°Ô¿ä

 

"The Wind"
by Cat Stevens

 

¢Ý I listen to the wind
To the wind of my soul ¢Ý

 

¢Ý Where I'll end up well I think,
Only God really knows ¢Ý

 

¢Ý I've sat upon the setting sun ¢Ý

 

¢Ý But never, never never never ¢Ý

½Ãµå

 

¢Ý I never wanted water once ¢Ý

 

¢Ý No, never, never, never ¢Ý

 

- ½Ãµå, ±¦Âú¾Æ¿ä?
- ³×

 

¢Ý I listen to my words but
They fall far below ¢Ý

 

¢Ý I let my music take me
where My heart wants to go ¢Ý

 

°í¸¶¿ö¿ä

 

¢Ý I swam upon the devil's lake ¢Ý

 

¢Ý But never, never never never ¢Ý

 

¢Ý I'll never make the same mistake ¢Ý

 

¢Ý No, never, never, never ¢Ý

 

ÀÌÇØ°¡ ¾È µÇ³×¿ä
ÀºÇà¿¡¼­ ÀÏÇÑ´Ù°í¿ä?

¹«½¼ Á÷¾÷ÀÌ ±×·¡¿ä?

¼öÇ¥³ª ¹Ù²ãÁÖ°í
Àܵ· °Å½½·¯ ÁÖ°í

"´ÙÀ½ ºÐ ³ª¿À¼¼¿ä"

´ëÃâºÎ Á÷¿øÀÌ¿¡¿ä
°Å·¡ ¾÷¹«·Î ÃâÀåÀ» ´Ù´ÏÁÒ

Àá±ñ¸¸¿ä, SD-6 ÀÖÀ» ¶§
À§Àå Á÷¾÷ ¾Æ´Ï¿¡¿ä?

- ±× ÀÏÀ» Àß ÇÑ´Ù´Â °É ¾Ë°Ô µÆÁÒ
- ¸ÚÁö±º¿ä

±×°Å ÀÚ±ØÀûÀä
´Ù¸¥ »ç¶÷ÀÇ µ·À» ±¸°æÇÏ´Ù´Ï

½É°¢ÇÏ°Ô ¸»Çϴµ¥, ½ºÆÄÀÌ ¾÷°è¸¦
¶°³­ ÈÄ·Î ´ç½Å ¾öû Áö·çÇØÁ³¾î¿ä

±×³É ÀûÀÀÇÏ´Â °Å¿¹¿ä
Á¤¸» Àú³á ¸Ô°í °¡Áö ¾ÊÀ»·¡¿ä?

±×·¯°í ½ÍÁö¸¸
¼¼»óÀ» ±¸ÇØ¾ß Çϰŵç¿ä

 

´ÙÀ½¿¡ ºÁ¿ä

 

Àß °¡¿ä

 

- ¾È³çÇϼ¼¿ä
- ¾È³çÇϼ¼¿ä

Àü ¿¡¸¯ ¿ÍÀÌÁî°í
38»ì¿¡ ½Ì±ÛÀÔ´Ï´Ù

 

³ªµð¾Æ¿¹¿ä

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ÀÚ¸·Á¦ÀÛ - ³×ÀÌÆ® µå¶ó¸¶ 24 ÀÚ¸·ÆÀ
(http://club.nate.com/24)

 

ÀÚÀ¯¹èÆ÷°¡´É / ¼öÁ¤±ÝÁö
¹èÆ÷½Ã Á¦ÀÛÀÚ Á¤º¸¸¦ ²À ¹àÇôÁÖ¼¼¿ä

 

"At Last"
by Etta James

 

¢Ý At last ¢Ý

 

¢Ý My love has come along ¢Ý

 

¢Ý My lonely days are over ¢Ý

 

¢Ý And life is like a song ¢Ý

 

Is dis¡¦okay for me?
I just got it.

For you? Yes.
For you, is very¡¦okay.

 

For¡¦me, too.

 

I am sojy for
barging in to you.

 

Yeah¡¦is no problem.

Do you travel much?

I¡¦yes, for my work.

I like the train.

Yes.

 

Vhat is your work?

 

I'm in chemical business.

I knew something like that!

- You did?
- Yes.

Because I look at your hands
when I come in and I tink¡¦

He uses brain¡¦
more than hands.

 

I use hands also¡¦

I am hoping so.

 

So vhat is in case?
Shemical?

- Chemical, yes.
- No.

Yes¡¦
something danger¡¦

- In dis¡¦danger.
- Yes, in case.

- I don't believe.
- Yes, is true.

Show me¡¦I want to see¡¦
I want to see what you do.

What is so danger?

 

What is inside can be
used for good¡¦or evil.

 

Me too.

 

Open it.

I vhant to see everyting.

 

Is isotope. Unstable¡¦
Yes.

 

Vhat is it?

 

72 Hours Earlier

72 Hours Earlier
SHANGHAI

 

ÀÚ¸·Á¦ÀÛ - ³×ÀÌÆ® µå¶ó¸¶ 24 ÀÚ¸·ÆÀ
(http://club.nate.com/24)

 

¿µ¾î´ëº» : RocknVaughn
(http://www.sd-1.com)

 

ÀÚ¸·½ÌÅ© / Çѱ۹ø¿ª / ÃÖÁ¾¼öÁ¤ :
ÀåÁ¤¿ø (cheesecake@empal.com)

 

"Cold Hard Bitch"
by Jet

 

¢Ý Yeah ¢Ý

 

¢Ý Gotta leave town ¢Ý

¢Ý Got another appointment ¢Ý

 

- Here, turn up here!
- What, the next street?

Yes!

 

¢Ý Ain't gonna hang around
till there's nobody dancing ¢Ý

¢Ý I don't wanna hold hands and talk
about our little plans, alright! ¢Ý

 

The alley!

 

¢Ý Cold hard bitch
Just a kiss on the lips ¢Ý

 

It's locked!
It's locked!

 

¢Ý Cold hard bitch ¢Ý

¢Ý She was shakin' her hips
That's all that I need ¢Ý

 

All right, at the very least¡¦
I deserve answers.

 

- We were compromised, Brodine.
- Yeah, I figured that part out.

We were supposed to meet at 10:15,
extracted by 10:25¡¦ / I was late.

Yeah, and I wanna know why!

Watch the door, please.

 

There's a reason for protocol,
you know that!? Where were you!?

Can we save the debrief
for the flight back?

- Did you try to contact Agent Strum?
- I told you, his life is at risk!

Look, he's in deep cover, Agent Bristow¡¦
that's part of the job description!

Safety's on.

Mountaineer to Shopkeeper,
please respond.

 

I need to use the bathroom!

 

Then find another one, I'm busy.

 

Mountaineer, this is Shopkeeper.

Shopkeeper, your cover's been blown.
We'll meet in Ming Hai train yard, 20 minutes!

Wait a second¡¦
oh, wait, wait, what¡¦

how did¡¦
how did you find me!?

- Shopkeeper, do you copy!?
- They know where I am!

They found me!
They found me!

What's happening?

 

Hello, Sydney Bristow¡¦

I heard about what you're wearing¡¦
I like it.

But your work here in Shangai is not so good¡¦
you've broken radio silence.

Sloppy¡¦
disappointing.

Listen¡¦who is this?
What do you want?

Oh, I got what I want.

We're tracking your radio signal¡¦right¡¦now.
I know the building you're in¡¦

They just tracked your broadcast!?

 

What¡¦What are you doing?

Trust me.

No, I'm not just following you blind anymore¡¦
What's your plan?

I don't have time to type up an itinerary.
You'll do what I say, or you'll die.

Take off your shirt.

 

- That's window's too small to climb out of.
- I'm not climbing out.

 

- Close your eyes.
- What the hell...

 

Oh my God, that burns!

- Better than a bullet.
- Oh my god!

Open¡¦

 

- This part's gonna hurt more¡¦
- No, no! I don't need that!

It's the details that matter¡¦
try not to scream.

 

I'm almost done!

 

What is that for?

They'll be looking for two of us,
so we're both going to walk out of here alone.

Oh God, they're going
to kill me, aren't they?

They might. You've got to
strut out of this club.

I don't strut!

Look at yourself.

 

My ear hurts.

We'll meet and Beding Hai station
in 20 minutes. You won't need this.

What are you gonna do?
They know what you look like!

Come on already!

 

How badly do you have to go?

 

LOS ANGELES

 

In your complaint against Agent Bristow,
you stated your pursuers tracked you to the restroom?

Yes, Ma'am, they did¡¦when¡¦

When I made contact with Agent Strum.
I wanted to help him.

I made arrangements with Agent Strum
for him to meet us at the closest LZ in Jing'an.

My intention was to extract him.

That wasn't your purpose
in Shanghai.

You were sent with one objective:
to pick up surveillance photos from Agent Brodine¡¦

Yes, ma'am¡¦photos taken by Agent Strum
whose cover had already been blown.

That's presupposition¡¦

a tip from an unauthenticated source and
you opted to change the objective of the mission.

I made a judgement call.

You do understand that things don't always go
as expected when you're in the field?

I don't need a 7th floor lecture from you.
I've read your report.

Even for you, Agent Bristow,
your arrogance today is appalling!

 

It wasn't meant to be a lecture,
Director Chase. Just a reminder.

 

With all due respect, it has been twelve years
since you've been field rated.

 

Your poor judgment apparently
cost a man his life.

 

So¡¦after dressing him up¡¦

you violated protocol yet again
by leaving your contact alone.

 

Mr. Brodine would have
been killed otherwise.

Miss Bristow, your record's a mess.

Your consistent disregard for protocol obviously
speaks to some larger systemic dysfunction;

a psychological need
to challenge authority.

If the Shanghai incident were an isolated one,
then perhaps a warning would suffice here,

but this his hardly the first time
you've exhibited rogue behavior.

- What happened in Shanghai was not rogue! I¡¦
- Miss Bristow, it is my turn to talk.

I'm recommending to the board that
you be stripped of classified clearance

and assigned to
the Dispatch Office at Langley.

You're transferring me¡¦

 

to the mail room!?

You'll report to Officer Hermelin
8 a.m. on Monday. / Wait, wait, wait¡¦

Lemme get this straight¡¦

- Is this a permanent reassignment!?
- Technically, that's what a demotion is.

I don't know exactly what you have
against me, but my record¡¦

I resent you,
and I'll tell you why.

It's conduct like yours
that endangers the CIA.

It weakens us; it forces us
to take a defensive posture.

Wait¡¦wait a minute. Am I supposed to¡¦
defend my record to you¡¦!?

This is not a dialogue, Miss Bristow.

In Virginia.
Monday morning.

 

If this is your¡¦decision,
Director Chase¡¦

 

I will no longer burden this agency
with the hazard of my participation.

Are you opting to terminate
your association with the CIA?

I will say it in English for you.

 

I quit!

 

WASHINGTON, D.C.

 

Yo!

 

Vaughn¡¦Vaughn!
Bag's dead, man, you can give it up.

 

Thanks for coming.

 

Thanks for sweating.

 

You all right?

Yeah¡¦I think a full month's psych
evaluation is more than enough.

Really¡¦for you?
I don't know.

 

Was a little overkill, though.

C'mon¡¦burning your house down?

It wasn't a happy home.

Yeah, but still¡¦fire.

Yeah, well, you kill your wife after finding out
she's a vicious, homicidal double agent,

and see how rational you are.

 

I¡¦I just want you to know
that I'm there for you¡¦

You know¡¦if you need to stay with me
for a while¡¦'cause your house is¡¦ashes¡¦

 

I'm leaving.

Leaving what?¡¦

 

The Agency!?
Is this because of Sydney?

No, it's not because of Sydney¡¦
it's because last year sucked.

It's because I don't have
the desire to do¡¦

not the desire, the need to do
this job anymore¡¦I don't have it¡¦

So you're telling me this stupid idea
was all on your own?

- Sydney didn't talk to you about this?
- I haven't spoken to her this week¡¦or last.

- I don't know what's going on with her.
- All right, you gotta talk to her.

Well, I've already made my decision.

 

Okay, this isn't about you.

 

Her review was today.
Sydney quit.

 

NO ENRTY
Authorized Personnel Only

 

Glad you found us.

Me too. That wouldn't have
been a very good start.

You did very well with the committee¡¦
very convincing.

Thank you. So were you¡¦
I actually felt like I was in trouble¡¦

Well, I can pull it out
when I need to.

C'mon, let me show you around.

- How is that man's ear?
- Don't worry about Brodine.

He thinks he's a hero. He has no clue
Shanghai was a charade.

The Agency's Pacific Rim surveillance
worked out of this office until '98.

This place was dark until two months ago
when Langley approved the division.

Miss Chase, I can't tell you what an honor it is
to be asked to be part of this operation.

I know you¡¦spoke of being hungry¡¦
looking for a fresh start¡¦

That was nothing¡¦my father, Vaughn¡¦
irrelevant personal stuff.

I want to serve my country
the best I can.

Well, this assignment
will be a challenge for you¡¦

more than you were
led to believe.

 

The four of you chosen
hand picked to help run this team.

 

The four of us¡¦

 

Hand picked by whom?

 

This is exciting.

 

Could I have a word, please?

 

When I was approached about
joining a black-ops unit within the CIA,

I thought I was doing
the right thing.

And while I appreciate the necessary protocol
in assembling a new team, Arvin Sloane is not¡¦

I understand you used
to work for Sloane.

Yeah, a criminal psychopath beyond verbal
descripition¡¦ / I know all about Sloane.

Then allow me to ask the most
obvious question in the history of time:

How can the CIA let that man,

who ran what amounts to a terrorist cell
within the borders of this country, run anything?

You don't need me to explain
the geopolitical landscape,

or to list this country's former enemies
with whom we now collaborate.

But we have to draw
the line somewhere.

But we can use him now.

His contacts, his expertise,
and he will be closely monitored.

I pity the man with that job.

 

Wait a minute¡¦

With you here¡¦Vaughn, Dixon, and your father,
there's a built-in system of checks and balances.

If Sloane missteps¡¦

you'll catch him.

 

Now, that's it.

This is your assignment.

 

Jennifer Garner (as Sydney Bristow)

Ron Rifkin (as Arvin Sloane)

Michael Vartan (as Michael Vaughn)

Carl Lumbly (as Marcus Dixon)

Kevin Weisman (as Marshall J. Flinkman)

Mia Maestro (as Nadia Santos)

Greg Grunberg (as Eric Weiss)

Victor Garber (as Jack Bristow)

 

ALIAS 4x01
Authorized Personnel Only

Original Air Date : January 5, 2005

 

Special Guest Star : Angela Basset (as Hayden Chase)

 

Guest Star : Robert Parrick Benedict (as Brodien)

 

Guest Star : Karl Hamann

 

Guest Star : Rick Yune (as Kazu Tamazaki)

 

I was just explaining how
the CIA approached me.

 

Concerned that increased public scrutiny of the CIA and
resulting red tape has impeded their ability to do their job,

what they asked me to set up
for them was a covert unit;

one that is still governed
by US laws,

but unhampered by bureaucratic chain of
command with no accountability except to ourselves.

That part was made clear.

Which was the part
that wasn't made clear?

 

That was me.

No, it wasn't.

 

Well, quite frankly, I was
surprised by their call, too¡¦

until I understood
what it is they want

their own SD-6:

a unit that officially doesn't exist

comprised of team members
who have no apparent affiliation to the CIA.

They don't want to know
how we do our day's work¡¦

only that it gets done.

And what is our day's work?

His name is Yuri Komorov;

he's Russia's leading nuclear scientist¡¦

until last month when he disappeared
with the only viable sample of Orine-12:

an deadly and highly
unstable isotope.

Signal intercepts indicate
that on Thursday,

Komorov will have a meeting on the train
traveling between Belarus and Latvia.

We can assume he'll
be selling the isotope.

The CIA is unable to use that information,
which is why we are here.

Sydney, Vaughn¡¦
you'll be on that train.

I can't believe this¡¦

 

I beg your pardon?

Nothing.

The buyer¡¦who is it?

We don't know yet.

But according to his grocery list,
we can assume he's a serious threat.

We were able to intercept
the protocol of the meet:

the buyer will be in the dining car,
8pm Greenwich Mean Time.

There will be a green
fountain pen on the table.

He will ask Komorov
if he would like some tea.

Komorov will reply that
he prefers¡¦bourbon.

Dixon, you will be on point.

Sydney, you will recover
Komorov and the isotope.

Vaughn, you will ID the buyer.

You will sell the buyer a bogus isotope
outfitted with a tracking device

so that Langley can follow him back
to his base of operation and grab him there.

Is that it?

Komorov is known to rig his transport
devices with self-destruct mechanisms.

Yes, that's correct, so Sydney, you'll
need to get him to open the case for you.

Do you have any suggestions?

I assume you'll come up
with something interesting¡¦

Jack, you'll set up the operational plan.
The wheels go up at 0600 hours.

Are there any questions?

Besides, "How'd you get this job?"

Sydney¡¦

Syd¡¦

 

What is this¡¦APO?

It's the name of our new organization,
It's right on the door.

 

Authorized Personnel Only.

I thought it was fitting.

Excuse me, I have to prep.

 

If I had known Sloane was involved?
Not a chance.

It was a little deceitful, right?

Yeah, but then I thought if I refused the job,
I can't watch over Sloane.

I'm having the same
conversation with myself.

You know, I told Langley that
I wanted to step down as Director.

That life, that suit was never for me¡¦
I belong in the field.

- And then the offer came from Chase¡¦
- 'An elite, black-ops unit' speech¡¦

Yeah, that's the one,
and I was in.

 

Look, I understand your
reluctance to work with me¡¦

well, given everything.

 

Despite my former allegiance,

my betrayal of you,
of this country¡¦

you can't deny it:

we were a great team.

 

So I'll do this just once
and ask you to please¡¦

 

give me a chance.

 

One thing makes up for all this:

 

having you as my partner again.

 

"World On Fire"
by Sarah McLachlan

 

¢Ý Hearts are worn
in these dark ages ¢Ý

 

¢Ý You're not alone
in this story's pages ¢Ý

 

¢Ý Night has fallen amongst
the living and the dying ¢Ý

 

- Sorry to drop by.
- It's okay.

 

I miss you.

I wanted to say
that I miss you.

 

I've been thinking¡¦

- obviously¡¦about what¡¦
- Well, you're afraid to¡¦

- I'm not afraid, but I¡¦
- But you won't return my calls¡¦

That's because I could feel
what was happening.

 

Can I come in?

If you come in, we both know
what's gonna happen¡¦

and I don't want that

to jump right back in where we were¡¦
before everything¡¦

to pretend that those years
didn't happen.

Well, that would be nice,
wouldn't it?

 

But they did.

 

We need to take it slow, Vaughn.

 

Yeah, you're probably right.

 

BELARUS

 

You ready?

Ya, I tink so...you?

Nice tits.

 

Excuse me.

 

Hello-ah.

This is a private compartment.

This is my room.

- This isn't your room.
- This is my room.

 

Are you speaking English?

Yes...I speak.

See, for me?
This room?

 

Would you care for some tea?

 

No, I prefer bourbon.

 

You're early.

 

I am eager to make exchange.

 

As am I, Mr. Komorov.

 

I...I am sorry...

- Is good, no?
- Yes, is good...

 

- I was drink...in dining car.
- Yeah.

- Too much.
- Yeah.

 

I am for sleeping now.

 

Is there a place for changing?

 

Uh, yes...uh, bathroom.

 

Thank you.

 

You are cute.

 

I like these framings.

 

You vant to do this in public?

Mr. Vadik is not afraid
of the public...

and neither am I.

 

Is dis¡¦okay for me?
I just got it.

For you?

Yes. For you,
is very¡¦okay.

 

You can't test power with toy
from hardware store.

 

When the more comprehensive
tests are done,

Mr. Vadik will forward you
the other half of your payment.

 

You're not very discreet.

Terror happens every day,
around everyone.

No one notices a thing
until something detonates.

 

Mr. Vadik and I rely on that.

 

Vhat is your work?

 

I'm in chemical business.

I knew something like that!

- You did?
- Yep.

Because I look at your hands
when I come in and I tink¡¦

He uses brain¡¦
more than hands.

 

You look familiar.

 

Sometimes people tell me I look like
hockey player...Alexi Kovalev.

 

No,

 

that's not it.

 

Well, perhaps we have met before,

maybe your boss, Mr. Valik...
maybe I know him.

 

What is this?

I don't know where you're from...
but you're not Komorov.

Excuse me, but this is me.

 

I'm getting off the train a little early.

 

Find out who he is.

 

Syd, they're on to us. There's
one heading your way. Move!

 

What is it?

 

Get up!

 

Here.

 

Are you kidding!?

 

"Bad"
by U2

 

¢Ý If you twist and turn away. ¢Ý

 

¢Ý If you tear yourself in two again. ¢Ý

 

¢Ý If I could, yes I would ¢Ý

 

¢Ý If I could, I would let it go. ¢Ý

 

¢Ý Surrender, dislocate. ¢Ý

 

¢Ý If I could throw this lifeless ¢Ý

 

¢Ý Lifeline to the wind. ¢Ý

 

¢Ý Leave this heart of clay, ¢Ý

 

¢Ý See you walk, walk away, ¢Ý

 

¢Ý Into the night. ¢Ý

 

Syd, before we left, Jack came to
see me with a...message for you...

 

Your father wanted me to remind you that
in Belarus we're not gonna have a tactical team.

 

So why is your father talking
to you through me?

 

When I was in DC,
I know you went to Wittenberg,

and I know
your father was there.

 

What happened in Wittenberg?

 

TOP SECRET
EYES ONLY

 

PROJECT INITIATED: 17 APRIL 1975
PROJECT SUBJECT: SYDNEY ANNE BRISTOW
PROJECT STATUS: ACTIVE

 

SENIOR PROJECT MANAGER :
JACK BRISTOW

 

Sydney...

 

You were never supposed
to have found this.

 

You wanna tell me what
happened in Wittenberg?

 

No...Actually, I don't.

 

We now know the men on the train
were working for Roman Vadik;

CIA's 26th most wanted.

Vadik's resume has him responsible for the Chun Hai
blast in '86, Mats Hu in '89, over 12,000 dead total.

Close, personal contacts
of mine have confirmed

Vadik's cooperation with known terrorist cells
in planning a major attack within the next six months.

Close, personal contacts?

 

- The CIA wants Vadik.
- Yes, that's right.

What's the move?

Last year, a foreign agent working on infiltrating
Vadik's operation made particularly good progress.

She needs to be briefed.
I'm sending you, Sydney.

- I'll give you the details in my office.
- Lucky me.

 

The agent working
with Vadik's operation...

was with Argentine intelligence.

- Your daughter?
- Your sister.

 

If Nadia's the one with intel on Vadik,
why not debrief her yourself?

 

We went searching...

 

Nadia and I

 

for an artifact built by Rambaldi.

It's value immeasurable.

 

And we found it.

And we promptly handed it
over to the US Government.

That's how you got this position;

 

you bought it.

 

It turns out the pain that she felt as
a result of her job was profound...

something with which
you're familiar.

Ya think?

I tried to convince her to stay,
to transfer over to the CIA.

I knew she would be
of great value here...

 

but she chose to leave
intelligence...drop out.

 

You sure she really left?

Fake-quitting seems
to be all the rage.

She's out...
she's back in Argentina.

She wants nothing to do with me...
or this life.

 

You're awful glib, Sydney.

Nadia left you on bad terms.

 

I suppose I have
something to learn...

 

about being a father.

 

I can see why you
don't want to go.

 

That wasn't meant to be glib.

 

I still don't know why you
think she'll talk to me.

Because I see in her something
I once saw in you:

the need to work for what's right.

 

And because you know what it is
to put aside personal issues, and that...

that's a gift.

 

It's not a gift.

What's it's been is a necessity,
and it's become a burden,

and, quite frankly, something
I've run out of patience for.

 

Vaughn. Before she goes,
you might tell her that...

No, I'm not going to be
a conduit to your daughter.

I've tried that before; you can imagine
how well that went over.

And no, she didn't say anything,
if that's what you're asking yourself.

She hasn't said a word about
what happened between the two of you...

which gives me
an idea of what that is.

And Jack, I hope for Sydney's
sake that I'm wrong.

 

ARGENTINA

 

"Dios le Pido"
by Juanes

 

I'm guessing this
isn't a personal visit.

 

No.

 

Roman Vadik.

 

We need your help.

 

Nadia, I need you to
come back with me. / No.

Sydney...

 

He was a good friend;
worked with me.

 

Vadik killed him.

 

Had his head shipped
back to our office.

 

But I'll give you what I have.

No one deals with Vadik directly.
Everyone goes through his lieutenant...

- You want to write this down?
- No, I've got it.

Kazu Tamazaki.

Considers himself
a modern samarai.

Arrested five years ago trying to rob the
Hazunanga Asian museum in London.

Escaped from police custody...among
the least of the charges against him.

I hope that helps.

Men like Vadik, like Tamazaki...
they need to be eliminated. / I can't.

 

I can't.

 

You do understand.

 

Yeah.

 

- I knew penne was...
- This cannot continue.

 

A crucial assumption of our operational
competance is communication!

Sydney...If we don't have that...every mission,
the life of every operative could be at risk.

I'm doing my job. / No, what you need to do
is find a way to accept what's happened.

- If you can deal with Arvin Sloane...
- I love that you knew that...

that you approved it.

It may be hard for you to accept that your father
doesn't have the authority to make all the decisions that...

No, what's hard for me to accept
are the decisions that you do make!

 

What's hard is looking at you...

...walking past you, smelling
that sickening cologne.

What's hard is
being your daughter...

...and not being able to separate
myself, as far as I may get,

from the person
I despise most.

 

You went to see Nadia.

 

Did you tell her...
what you know?

 

I guess I thought...

that maybe you'd come here...

I don't know, to give me
something...information...

 

something that would help make sense of what I was
afraid you'd become; but there's nothing you could say.

 

Of course, you were only
looking out for yourself.

 

Is that what you think of me...
as an operative?

That I would reveal your secret
to that poor girl?

 

I didn't tell Nadia a thing.

 

Sorry...

 

What's going on?

 

It was Lauren who told me...

 

What...

 

Told me where to look.

 

The safety deposit box
in Wittenberg.

 

How she knew, I don't know.

 

I wasn't even going to go... I had no reason
to believe anything that woman said.

 

But the curiosity was
just too strong.

 

I got there and...inside the box,
there was a file...

classified, highest level.

 

My heart was pounding.

 

Like I knew somehow
before I knew...

 

What was it?

 

Evidence.

 

Evidence that my mother had been
a security risk, which wasn't really news...

It mentioned her history with the KGB,
everything we knew.

 

Then there was a page...

 

an official request made
by my father...

 

asking for the authority
to execute Irina Derevko;

 

a request that was granted.

 

And he did it.

 

He killed her.

 

He killed my mother...

 

He did it, Vaughn...

 

he killed her...
he killed my mother...

 

Two weeks ago,
the man on the train,

Kazu Tamazaki, severed ties
with all known contacts,

eliminated all means
of communication.

- Any idea of where he's gone or why?
- Nothing.

Our one link to Roman Vadik
has dissapeared.

Any indication Vadik
turned on Kamazaki?

All chatter says that
Vadik is status quo.

So, Tamazaki is still all we've got.

All we had.
He's gone.

Back to what we know.

The Hazunaga Asian
Museum in London.

Yeah, Nadia said he was arrested
five years ago; break in.

Was there a motive?

He was caught in the
Shintaro sword exhibit.

The shootout killed two of the MPs
and one of his own men.

What was he doing?

Trying to steal the Shintaro sword...
the most famous samarai sword outside of Japan,

wanting to restore honor
to the blade and his country.

You've gotta be kidding me...

We may not have the means
to contact Tamazaki,

but I can see a way
to get Tamazaki to contact us.

Are you suggesting we fake
a robbery of the Hazunaga?

 

You think we should steal the sword.

That museum's one of
the world's most secure.

If this were my operation, there's only one
man I would trust to get us in there...

 

Hey...

 

You as depressed as I am?

 

- Depressed about what?
- Depressed about what!?

 

Take a look around here.
This place is a ghost town;

I don't even know anybody
here anymore.

 

Sydney is gone...Dixon...
Jack, Vaughn.

The only guy we have left is Sark
and that's only because he's in custody.

I hate that guy, I mean,
really, kinda scares...

although I did go visit him...twice...
just to see a familiar face.

- We had eggs.
- Don't do that.

 

Marshall Flinkman, you're under arrest
for the misuse of government assets.

Misuse? What...?
What did I misuse?

You had unauthorized computer equipment connected to the
government monitors you have been provided. / Connected!?

I don't understand...
what did I have connected?

 

Is this yours?

 

Uh, it was for a mission,
I swear!

I just wanted to download
some maps from MapQuest;

I heard they were really good, of course,
the CIA maps are much better...

 

Am I dead?

You've been recruited.

 

We're a black-ops division, Marshall.

You're going to head up technology.

 

Uh, Syd...

 

Sloane is here.

 

We know.

 

Okay.

 

Syd!
We're back!

 

LONDON

 

Merlin to team. Great;
way to go, guys.

Stay focused.

 

They're focused.

 

Okay, Shotgun to Merlin.
Tapping into surveillance.

 

Okay, I can see it:

the Shintaro Sword.

 

It's a Studler Matrix system;
what am I looking for?

 

Okay...Studler Matrix...

What fuse?

 

L7.

Copy that.
Looping L7.

Wait a minute...wait a minute...
wait a minute...

Don't do that. You need to
reroute through E3.

 

- E3 rerouted.
- Okay, go to L7.

Copy that. Looping L7.

 

Okay, the security feed's looped.

 

Outrigger, something fell down the vent.

 

Security to control.

 

What, Kenny?

Check floor 2, would ya?
I think I heard something.

 

Nope, it's all clear.

You're still good.

 

Hey.

 

Good luck.

Thanks.

 

How cool is this!?

Stealing a sword so we can find a bad guy...
in order to catch an even bigger bad guy?

Come on...come on, you'd have never
let us do this back at the CI...you know,

when you were double-breasted,
serious Robot Dixon...

I mean...not that you were...
authoritative...

 

Sorry...

 

Outrigger to base.
ETA 90 seconds.

 

Security feed's on loop.
So far, so good.

 

Biggest challenge?
Hands down...

the pressure pad on the case.

 

You know...the marble border?

There's no way to deactivate it;
supercalibrated.

 

Phoenix, you've got company.
Tango approaching...ETA 20 seconds.

 

Phoenix, abort!
I repeat, abort!

I'm almost there.

 

Phoenix, he's coming.
Get out of there now!

I'm almost there...

 

Damn it!

 

Phoenix to base. I'm in the east alley;
I need an extraction now!

We're at a secondary route.
We're 60 seconds out.

I don't have 60 seconds.
I'll meet you at the LZ; I'm going.

 

Sydney, get in.

 

Get in now!
You can be stubborn later!

 

Outrigger, this is Raptor.
I have Phoenix, heading to rendevoux.

What are you doing!? / You know what
typically works in a situation like this?

A simple thank you.
Get down.

 

LOS ANGELES

 

You didn't tell her, did you?
The truth.

 

I told her I was responsible
for the death of her mother.

Did you tell her everything?

She's better off not knowing...
everything.

 

Tough call, Jack.

 

Better that she detests me.

 

I fear the alternative would
have left her incapacitated.

 

BRUSSELS

 

I assume you have
something to sell?

 

I have the Shintaro sword.

 

Herr Vogel, you never
cease to astound me.

 

An inside job, no doubt...yes?

 

No matter.

People on the street are impressed;
an incredible job.

My friends are good at
what they do.

Let me make a few calls.

 

- It's done.
- Good work Head home.

 

Dixon set the sword in play.

We can expect to hear
from Tamazaki within hours.

 

It's good isn't it?

Having the team back together again?

 

Anything?

Oh, uh... Hey...

Well, mostly what
we already know.

Roman Vadik is some
serious bad news.

Check this out:

 

Pakistan. 500 casualties.

Prime minister of Kiristan...
assassinated in broad daylight.

 

- Who's that?
- Uh, it's Pablo Martinez.

He's an Argentinan agent;
he was investigating Vadik last year.

He was caught.
Vadik had him killed.

 

Yeah.

 

Martinez was partners
with Nadia Santos.

- Your sister!?
- Half sister.

 

Well, he was the only one
who ever saw Vadik alive...

I mean, at least on our side.

He wasn't transmitting, was he,
when he was captured?

 

I'll make you a deal;

you cooperate with us...
That's it.

You don't frighten me.

Then, clearly you're an idiot.

 

The man you were working
for on the train: Tomazaki...

he referred to his boss, Mr. Vadik,
but we ran voice prints.

Yeah, uh...

An agent was killed last year by Vadik.

But his voice...you know, the killer...

it matches perfectly with the man
on the train...Tomazaki.

...which means Vadik trusts Tomazaki
enough to front for him; act on his behalf.

Simple deduction says that if Tomazaki trusts you; you've seen Vadik.

 

Where do we find Vadik.

 

I'll need Protective Services for this...

You help us, and you have my word.

 

Vadik...

 

You are at him.

 

Vadik is Tomazaki.

 

There is no Vadik.
It's cover.

He made him up.

 

There's no Vadik.

 

Vadik doesn't exist at all.
it's actually Tomazaki whose in charge...

we need a new game plan.

 

Yes.

Tomazaki took the bait.

We're set for a Wednesday meet.
Rio de Janeiro.

He insists that the woman who
stole the sword make the delivery.

Apparently he has access
to police files; he was intruiged.

- What about back up?
- She's allowed one addition.

Good. Jack you'll escort
Sydney with the sword.

Vaughn, Marshall...you'll support Dixon.
I want a plan by 1800.

Excuse me...

 

I prefer Dixon as my partner.

I'm sure you're aware of our
experience together in the field.

That shorthand could be important.

 

I've already made my assignments.

 

RIO DE JANEIRO

 

- You good?
- Yeah.

As soon as Tomazaki makes contact,
we'll ID and take out any back up he's got...

then we'll move in, grab him,
get on a plane.

 

Team's in position;
mikes are hot.

We've got full visual.
Phoenix, Raptor...it's your show.

Copy that, Outrigger.

 

This is the best conversation
we've had in weeks.

 

Merlin, patch this call through my earpiece
to the rest of the team.

Okay, Phoenix, you are hot...
and I mean that in many ways.

Shotgun you're in on the call.

 

Hello.

Look across the square.
You'll see a tunnel.

 

It will take you to the belly
of the Alvais building.

Go to the tenth floor.
No backup. No guns.

Just the sword. Meet me
in three minutes or it's off.

Merlin, the Alvais building...

Now, listen, this building was
converted into a bank last year.

Shotgun, you're going to
have to look the part.

Okay, we've got wardrobe.
Let's do it.

 

I'm going in...alone.

 

I assume you all heard that.

 

Starting through the tunnel.

 

Phoenix, meet me at the elevators
before you go up.

See you at the elevator.

 

Okay, now that tunnel was reinforced
after the earthquake of '44...

we're probably going
to lose comms until...

 

Shotgun, we've temporarily
lost contact with Phoenix.

 

Merlin, tell me there's
a tenth floor in this building.

 

Guys...

 

Hello, Sydney Bristow.

 

If Tamazaki wanted to kill Sydney,
we're already too late.

 

The only assumption
we can operate on practically is that

Sydney is alive and
Tamazaki has some need for her.

 

So where is she?

Rio was Tamazaki's call,
not mine. It's his turf.

Meaning he most likely has some
sort of base here, satellite office maybe.

Marshall, does Tamazaki's file
indicate property holdings?

I already checked. Nothing.
Nothing in Rio, nothing anywhere in Brazil.

We know someone with intel¡¦ the agent
who led us to Tamazaki in the first place.

Well, my daughter has
refused to cooperate.

Still, she gave Sydney
Tamazaki's name.

If she were apprised of
the situation, she might help.

I'll make her help.
Where is she?

 

Hola?

This is Michael Vaughn.
I'm in Rio.

 

Sydney's in trouble.

Is it Vadik?

Vadik and Tamazaki
are the same person.

Look, we don't know
if Sydney's still alive,

but if she is, you're her only hope.

 

Nadia, please.

 

Tamazaki used to run an operation
Near the Catedral Metropolitana.

Okay, I'll need details.

 

Sydney Bristow.

 

What happened to the deal?

 

What?

 

What happened to the deal?

 

Before you leave this room,

 

you will tell me why.

I might.

I'm relatively open-minded.

 

But in this case, I don't know
what the hell you're talking about.

 

Have you eaten breakfast?

Why? You want to grab something?

You probably ate breakfast.

 

Just in case.

 

We'll wait.

 

It's been three months.
What happened to you?

 

It took longer than I thought
to find your birthday present.

 

I saw you standing in the park.

 

I was looking for the woman
who stole the Shintaro,

and then I saw you,
and I knew...

 

this wasn't about the sword.

 

So now you found out...

 

About the hit.

 

Which means you must know
why you were spared,

 

why the job went away.

 

I told you, I don't
know about any hit.

 

You wouldn't be here if you
didn't know about the contract.

 

What contract?

 

The contract
I had on your life.

 

You were hired to kill me?
Who hired you?

 

Sydney...
Assassin-client privilege.

 

The day before the job,
my client was killed.

Most unfortunate...
for me.

 

I swear to god, I don't
know anything about this.

 

Somehow I believe you.

 

I guess this was just
one of those coincidences.

Guess I can just sell you
the sword and go home.

 

I'll just take the sword.
How's that?

 

So, Nadia,
the tranquilizer lips¡¦

Do you think it was too red?

Does Jorge have the key card?

Got it.

 

I'm in.

 

You'll be okay.

 

Nadia.

 

Sydney!

 

Sydney!

 

- Where's Sydney?
- She went that way.

 

I was told you were good.

 

Who hired you?

 

Who put a contract on my life?

 

Who hired you?

 

Derevko.

 

Irina Derevko.

 

Congratulations.

 

We recovered the isotope.

 

We've eliminated
a dangerous enemy,

 

and the British government is most
grateful for American assistance

in returning the Shintaro sword.

 

I would also like to announce that

Nadia has accepted
my offer to join A.P.O.

I know that she can rely on your full
support in the days and weeks ahead.

So, that's it.

 

Go home.

 

Feel good about
what you've done.

 

How did you find out?

 

Tamazaki.
He had the contract.

 

You didn't know?

 

I merely knew your mother had
hired someone. I didn't know who.

 

I had only one way to stop him.

 

Why would she want me dead?

 

I don't know.

 

You killed her to save me.

You killed mom to save me.

 

I'll see you tomorrow.

 

"The Wind"
by Cat Stevens

 

¢Ý I listen to the wind
To the wind of my soul ¢Ý

 

¢Ý Where I'll end up well I think,
Only God really knows ¢Ý

 

¢Ý I've sat upon the setting sun ¢Ý

 

¢Ý But never, never never never ¢Ý

Syd.

 

¢Ý I never wanted water once ¢Ý

 

¢Ý No, never, never, never ¢Ý

 

- Syd, you okay?
- Yeah.

 

¢Ý I listen to my words but
They fall far below ¢Ý

 

¢Ý I let my music take me
where My heart wants to go ¢Ý

 

Thank you.

 

¢Ý I swam upon the devil's lake ¢Ý

 

¢Ý But never, never never never ¢Ý

 

¢Ý I'll never make the same mistake ¢Ý

 

¢Ý No, never, never, never ¢Ý

 

See, I just¡¦ I don't see it.
You working in a bank?

Come on, what kind of
job is that, you know?

Cashing checks
and making change.

"Excuse me, next in line, please."

I'm a loan officer. I travel.
Service accounts.

Wait a minute, the cover job
you had for SD-6?

- I happen to be good at it.
- Great.

That's stimulating stuff.
Watching someone else's cash.

Syd, come on, seriously, since you
left the spy biz, you are a bore.

It's an adjustment, is all. Are you sure
you don't want to stay for dinner?

I'd love to, but I gotta
save the world.

 

See ya.

 

Bye.

 

- Hello.
- Hi.

I'm, uh, Eric Weiss,
38, single.

 

Nadia.

- How are you?
- Good.

- Is this a bad time?
- Not at all.

Nadia, this is Eric.
He was just leaving.

No, no, no.
I can stay.

 

Or go.
Nice to meet you.

You too.

 

Hey.

 

What's going on?

 

I just couldn't wait.

 

Even until tomorrow.

 

I was hoping we could
talk about our mother.

 

Did you bring your passport?

 

MOSCOW

 

Our mother was killed.

 

I found her body
in a State Medical Facility.

I identified her, paid for her release.

Made arrangements with a Mausoleum in Moscow
three blocks from where she was born.

I thought she'd want it that way.

 

And you have no idea
who was responsible,

who killed her?

 

No.

 

I swear to god,

somehow I will find out
who did this to our mother...

 

And I will kill him.

 

I will.

 

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